phoenix program vietnam war
Michael Maclear's dokumentarfilm fra 1975, Spooks and Cowboys, Gooks and Grunts (Part 1) er mere relevant end nogensinde. 42 år efter dens fremvisning, så fremstiller den den undertrykte og skamfulde sandhed som har korrumperet Amerika siden Vietnamkrigen. Dokumentarfilmen gør det fuldstændigt klart at "vi" har altid vist hvad der foregik - og at "vi" har perfektioneret måderne at nægte og forplumre det.

Maclear's dokumentarfilm står i stærk modsætning til den nuværende dokumentarfilm af Ken Burns, The Vietnam War, som er intet andet end historisk revisionisme, krydret med kæmpedosis af kognitiv dissonans og serveret som helbredende.

Mens Burns ihærdigt undgår at forbinde konflikterne i Vietnamkrigen med Amerikas fortløbende eksperiment i technofascisme, så er Maclear's dokumentarfilm ligefrem i fremsættelsen af adskillige skamfulde sandheder. Først og fremmest at CIA ikke blot korrumperede militæret, men også Amerikas politiske og lovmæssige institutioner; og gennem hemmelig kontrol af medierne, så har CIA's magt til at skabe den officielle version af historien efterladt veteranerne fra Vietnamkrigen såvel som hver af de efterfølgende generationer af amerikanere, i en tilstand af neurotisk vildfarelse.


Kommentar: Denne artikel er delvis oversat til dansk af Sott.net fra: Watch 'Spooks and Cowboys', 1975 documentary on US 'Phoenix Program' in Vietnam


This is what Guy Debord meant when he said,
"Secrecy dominates this world, and foremost as the secret of domination."
While Burns falsely characterizes the war as a tragedy engendered by decent men with good intentions, Maclear offers incontrovertible proof that it was a war of imperial aggression in the pursuit of counterrevolution.

Maclear gets to the heart of the matter by focusing on the CIA's Phoenix program, which Burns spends all of two minutes on. Through interviews with Bart Osborn and Jeff Stein, both veterans of Phoenix, Maclear shows what happens to combat veterans when they are made to function as judge, jury, and executioner of civilians. Mass murder and computerized genocide are the terms used in the documentary.

While Burns places combat veterans on an unassailable pedestal, and makes America's involvement in the Vietnam War "noble" based on their sacrifices, Maclear shows how the war managers indoctrinated the troops with lies, and then aimed them at innocents. As Maclear explains, by 1968, the CIA knew American military forces could not win the "hearts and minds" of the Vietnamese people, so they turned to eliminating, through torture and terror, members of the revolution's civilian infrastructure, as well as anyone who could be said to be sympathetic to it.

Burns has no stomach for this hard truth, or the fact that Phoenix, as Maclear made perfectly clear 42 years ago, has become not only the template for policing the American empire, but for the SWAT teams and militarized police forces that control America's political and social movements on behalf of their corporate masters in the war industry.

I'll close this brief introduction by honoring Bart Osborn, who, along with several other Phoenix veterans, testified to Congress about the Phoenix program. Based on the testimony of these veterans in 1971, four Congresspersons stated that Phoenix was a policy of waging war crimes and violated the Geneva Conventions.

In 1973, Osborn, along with Air Force veterans Perry Fellwock and Tim Butz, formed the Committee for Action-Research on the Intelligence Community (CARIC) in response to revelations about the CIA's role in Watergate. CARIC exposed individual CIA officers and operations through its publication, CounterSpy.

At the same time in 1973, Norman Mailer and several of his associates created The Fifth Estate to counter the CIA's secret intervention in America's domestic political and social affairs. In January 1974, CARIC and The Fifth Estate combined to create the Organizing Committee for a Fifth Estate. The plan was to organize groups on campus and in communities to investigate and expose the CIA. CounterSpy was its publication.

If only such organizations existed today.

Before the security forces and complicit media subverted CARIC and its efforts to expose the CIA, CARIC worked with the British Corporation Granada Television Inc, to produce a documentary on political prisoners in Vietnam.

Titled A Question of Torture, it too has also been suppressed, but is well worth viewing as an antidote to the Burns propaganda film, as well as to the duplicitous Vietnam War narrative Americans have had shoved down their throats for the past 40 plus years.

In the absence of any organizations dedicated to exposing the CIA, war crimes have since become official US policy, at home and abroad.